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I sing in a chorus with four sections. But I try not to get stuck in any one section, I try to sing all the parts, moving around as often as I can. It'd be easier if I had the range of Yma Sumac instead of just almost having the range of Yma Sumac...
It's probable that this nervous habit of movement (or is it ego) of mine, drives some of my fellow singers crazy. The director tries to be tactful about it. »I think it sounds better if you stay on your own part for this piece,« she says, now and again.
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